Parasite (Korean: 기생충; RR: Gisaengchung) is a 2019 South Korean black comedy thriller film directed by Bong Joon-ho. The screenplay was co-written by Bong and Han Jin-won. The film stars Song Kang-ho, Lee Sun-kyun, Cho Yeo-jeong, Choi Woo-shik, Park So-dam and Jang Hye-jin. It won the Palme d'Or at the 2019 Cannes Film Festival, becoming the first Korean film to receive the award as well as the first film to do so with a unanimous vote since 2013's Blue Is the Warmest Colour.[1][2] It was selected as the South Korean entry for Best International Feature Film at the 92nd Academy Awards, Bong's second selection after 2009's Mother.[3][4]
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| Wins | 197 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Nominations | 330 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Note
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Parasite premiered at the 72nd Cannes Film Festival on 21 May 2019. It was released in South Korea by CJ Entertainment on 30 May 2019, and in the rest of the world by Neon in late-2019. The film had a limited release on 11 October 2019 in Los Angeles and New York City, before expanding wider starting 18 October.[5] It has grossed $257 million worldwide including $53.3 million in the United States and Canada, becoming Bong's highest-grossing release; it is currently the nineteenth highest-grossing domestic film in South Korea history.[6][7][8] Rotten Tomatoes, a review aggregator surveyed 483 reviews and judged 99% to be positive.[9]
Parasite received widespread critical acclaim, with particular praise for Bong's screenplay and direction, editing, and production values, as well as the performances of the actors, especially Song. Among its numerous accolades, Parasite won four awards at the 92nd Academy Awards for Best Picture, Best Director, Best Original Screenplay and Best International Feature Film. It became the first South Korean film to receive Academy Award recognition, as well as the first non-English-language film to win Best Picture.[a][12]
At the 77th Golden Globe Awards, the film had three nominations, winning Best Foreign Language Film. At the 73rd British Academy Film Awards, the film received four nominations including, Best Film and Best Direction and won for Best Original Screenplay and Best Film Not in the English Language. At the Screen Actors Guild Awards, it became the first non-English language film to win for Outstanding Performance by a Cast in a Motion Picture.[13]
Accolades edit
World records edit
| Publication | Year | World record | Record holder | Ref. |
|---|---|---|---|---|
| Guinness World Records | 2020 | First film to win both the Best International Feature Film and Best Picture Oscar | Parasite | [183] |
| Most Oscar wins for an international feature film | [184] |
Top-ten lists edit
Parasite appeared on many critics' year-end top-ten lists,[185] among them:
- 1st – Alissa Wilkinson,[f] Vox[186]
- 1st – Angie Han, Mashable[187]
- 1st – Barry Hertz, The Globe and Mail[188]
- 1st – Ben Travers, IndieWire[189]
- 1st – Candice Frederick, Harper's Bazaar[190]
- 1st – Cary Darling, Houston Chronicle[191]
- 1st – Christy Lemire, RogerEbert.com[192]
- 1st – Dan Jackson, Thrillist[193]
- 1st – David Crow, Den of Geek[194]
- 1st – Don Kaye, Den of Geek[194]
- 1st – Film Comment[195]
- 1st – Film School Rejects [196]
- 1st – Flood Magazine[197]
- 1st – Godfrey Cheshire, RogerEbert.com[192]
- 1st – Guy Lodge, The Guardian[198]
- 1st – Hyperallergic[199]
- 1st – IGN[200]
- 1st – IndieWire (300+ Critics Survey)
- 1st – Jessica Kiang and The Playlist Staff, The Playlist[201]
- 1st – Justin Chang,[g] Los Angeles Times[202]
- 1st – Karen Han, Polygon[203]
- 1st – Katie Rife, The A.V. Club[204]
- 1st – Keith Watson, Slant Magazine[205]
- 1st – Laura Di Girolamo, Exclaim![206]
- 1st – Leah Greenblatt, Entertainment Weekly[207]
- 1st – Matt Goldberg, Collider[208]
- 1st – Matt Neglia, Next Best Picture[209]
- 1st – Matthew Jacobs, Huffington Post[210]
- 1st – Michael Phillips, Chicago Tribune[211]
- 1st – Monica Castillo, RogerEbert.com[192]
- 1st – Nick Allen, RogerEbert.com[192]
- 1st – Noel Murray, The A.V. Club[204]
- 1st – Online Film Critics Society[212]
- 1st – Richard Lawson, Vanity Fair[213]
- 1st – Rotten Tomatoes[214]
- 1st – Sarah Ward, Screen Daily[215]
- 1st – Sean P. Means, Salt Lake Tribune[216]
- 1st – Seongyong Cho, RogerEbert.com[192]
- 1st – Sydney Morning Herald[217]
- 1st – Tasha Robinson, Polygon[203]
- 1st – Tom Reimann, Collider[218]
- 1st – Valerie Ettenhofer, Film School Rejects[219]
- 1st – Vinnie Mancuso, Collider[220]
- 1st - WatchMojo.Com
- 2nd – Alex Biese, Asbury Park Press[221]
- 2nd – Anne Thompson, IndieWire[189]
- 2nd – Bob Strauss, Los Angeles Daily News[222]
- 2nd – David Ehrlich, IndieWire[223]
- 2nd – David Rooney The Hollywood Reporter[224]
- 2nd – Jonathan Sim, Vocal [225]
- 2nd – Kate Erbland, IndieWire[189]
- 2nd – Mark Hughes, Forbes [226]
- 2nd – Matt Zoller Seitz, RogerEbert.com[192]
- 2nd – Sean Fennessey and Adam Nayman, The Ringer[227]
- 2nd – Sight & Sound[228]
- 3rd – A. O. Scott, The New York Times[229]
- 3rd – Alison Willmore, New York magazine[230]
- 3rd – Amy Taubin, Artforum[231]
- 3rd – Bilge Ebiri, New York magazine[230]
- 3rd – Complex[232]
- 3rd – Consequence of Sound[233]
- 3rd – David Sims, The Atlantic[234]
- 3rd – Good Morning America[235]
- 3rd – Lawrence Toppman, The Charlotte Observer[236]
- 3rd – Manohla Dargis, The New York Times[229]
- 3rd – Mark Dujsik, RogerEbert.com[192]
- 3rd – Matt Singer, ScreenCrush[237]
- 3rd – Max Weiss, Baltimore[238]
- 3rd – Natalie Zutter, Den of Geek[194]
- 3rd – Peter Sobczynski, RogerEbert.com[192]
- 3rd – Peter Travers, Rolling Stone[239]
- 3rd – Samuel R. Murian, Parade[240]
- 3rd – Ty Burr, Boston Globe[241]
- 3rd – Yahoo! Entertainment[242]
- 4th – Adam Chitwood, Collider[243]
- 4th – Allison Shoemaker, RogerEbert.com[192]
- 4th – Alonso Duralde, The Wrap[244]
- 4th – Brian Tallerico, RogerEbert.com[192]
- 4th – Jake Coyle, Associated Press[245]
- 4th – Kristy Puchko, RogerEbert.com[192]
- 4th – Mara Reinstein, Us Weekly[246]
- 4th – Matt Patches, Polygon[203]
- 4th – Michal Oleszczyk, RogerEbert.com[192]
- 4th – Odie Henderson, RogerEbert.com[192]
- 4th – Sheila O'Malley, RogerEbert.com[192]
- 4th – Sheri Linden, The Hollywood Reporter[224]
- 4th – Tom Brook, Talking Movies[247]
- 5th – David Edelstein, Vulture[230]
- 5th – Derek Smith, Slant Magazine[205]
- 5th – Justin Kroll, Variety[248]
- 6th – Scott Feinberg, The Hollywood Reporter[249]
- 5th – Tomris Laffly, RogerEbert.com[192]
- 6th – Caroline Siede, The A.V. Club[204]
- 6th – Collin Souter, RogerEbert.com[192]
- 6th – Eli Glasner, CBC[250]
- 6th – Eric Kohn, IndieWire[251]
- 6th – Jon Frosch. The Hollywood Reporter[224]
- 6th – Joshua Rothkopf, Time Out New York[252]
- 6th – Stephanie Zacharek, Time[253]
- 6th – Kyle Smith, National Review[254]
- 7th – Marlow Stern, The Daily Beast[255]
- 8th – Lindsey Bahr, Associated Press[245]
- 9th – Brian Truitt, USA Today[256]
- 9th – Eugene Hernandez, Film at Lincoln Center[257]
- 9th – Max O'Connell, RogerEbert.com[192]
- 9th – Peter Rainer, The Christian Science Monitor[258]
- 9th – Richard Roeper, Chicago Sun-Times[259]
- 10th – Ben Kenigsberg, RogerEbert.com[192]
- 10th – Tom Gliatto, People magazine[260]
Top 10 (not ranked)
- Amy Kaufman, Los Angeles Times[261]
- Cameron Bailey, Toronto International Film Festival[257]
- James Verniere, Boston Herald[262]
- Joe Morgenstern, The Wall Street Journal[263]
- Dana Stevens, Slate[264]
- Sheila Nevins, MTV Documentary Films[257]
- Stephen Rebello, Playboy[265]
Parasite also appeared on many critics' Best-of-the-decade top 10 lists,[266] among them:
- 1st – Den of Geek[267]
- 1st – Karen Han, Polygon[268]
- 2nd – Kevin O'Connor, The Ringer[269]
- 3rd – Amanda Dobbins, The Ringer[270]
- 3rd – Film School Rejects[271]
- 4th – Norman Wilner, Now Magazine[272]
- 4th – Sean P. Means, Salt Lake Tribune[273]
- 5th – /Film[274]
- 5th – Richard Lawson, Vanity Fair[275]
- 7th – Gregory Ellwood, The Playlist[276]
- 8th – Los Angeles Film Critics Association[277]
- 10th – Chris Plante, Polygon[268]
On Metacritic, Parasite was rated as the best film of 2019[278][279] and ranked 7th among the films with the highest scores of the decade.[266] As of 28 December 2019[update] it is the 41st highest rated film of all time on the website.[280]
See also edit
Notes edit
- ^ Although Parasite was the first film with a non-English script to win Best Picture at the Oscars, it is not to be confused with the first foreign film (produced by a company of a country that does not have English as its primary language) to win Best Picture, which was achieved by The Artist in 2012. The French-produced film was largely silent with French intertitles and contained a few spoken lines in English.[10] The Academy dictates foreign language as the main qualification for international film, hence The Artist did not qualify.[11] Further, while prior winners The Last Emperor and Slumdog Millionaire include significant amounts of non-English dialogue, they were considered domestic productions.[10]
- ^ Tied with Atlantics
- ^ Tied with Ísold Uggadóttir for And Breathe Normally
- ^ Tied with Sam Mendes for 1917
- ^ Tied with Wesley Snipes for Dolemite Is My Name
- ^ Tied with Marriage Story
- ^ Tied with Knives Out
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